{"id":4566,"date":"2020-11-11T14:47:05","date_gmt":"2020-11-11T13:47:05","guid":{"rendered":"https:\/\/www.chateau-vodou.com\/?page_id=4566"},"modified":"2025-10-01T16:23:37","modified_gmt":"2025-10-01T14:23:37","slug":"news","status":"publish","type":"page","link":"https:\/\/dani020.supserv.cozmoslabs.com\/tr\/news\/","title":{"rendered":"News"},"content":{"rendered":"
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New exhibition \/\/ Seeing the unseen: the storeroom unveiled<\/h1>\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t
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INTRODUCTION<\/h3>

G\u00f6r\u00fcnmeyeni g\u00f6rmek: deponun perdesi araland\u0131<\/h2>

16 Ekim 2025 \u2013 22 Haziran 2026 tarihleri aras\u0131nda d\u00fczenlenecek ge\u00e7ici sergi<\/h3>

Bir m\u00fczede, sergilenen bir nesneyi korunan bir nesneden ay\u0131ran tek \u015fey vitrindir.
Depolar\u0131nda yap\u0131lan b\u00fcy\u00fck \u00e7apl\u0131 bir yeniden d\u00fczenlemenin ard\u0131ndan, Ch\u00e2teau Vodou perde arkas\u0131ndaki i\u015fleyi\u015fi g\u00f6zler \u00f6n\u00fcne seriyor.
Genellikle eri\u015filemeyen ve sadece nesnelerin sakland\u0131\u011f\u0131 alanlar olarak alg\u0131lanan depo alanlar\u0131, asl\u0131nda bir m\u00fczenin kalbidir. Bu alanlar, eserlerin korunmas\u0131n\u0131, incelenmesini ve aktar\u0131lmas\u0131n\u0131 m\u00fcmk\u00fcn k\u0131lar.
Ortalama olarak, koleksiyondaki nesnelerin ,1\u2018inden fazlas\u0131 \u2019\u00e7ok k\u0131r\u0131lgan\u2018, \u2019konu d\u0131\u015f\u0131\u2018 veya \u2019daha fazla bilgi bekleniyor\u201d olarak de\u011ferlendirilen nesnelerdir.<\/p>

M\u00fcze ekibi, bu yeni sergi ile miras\u0131n korunmas\u0131na ili\u015fkin ilkeleri, depolama tesislerinin teknik s\u0131n\u0131rlamalar\u0131n\u0131, envanterin hayati \u00f6nemini ve g\u00fcn\u00fcm\u00fczde uygulamalar\u0131m\u0131z\u0131 etkileyen etik sorunlar\u0131 ve tart\u0131\u015fmalar\u0131 ele almay\u0131 ama\u00e7lamaktad\u0131r.
Bir m\u00fczenin rol\u00fc nedir? Vudu M\u00fczesi\u2019nin koleksiyonu nereden geliyor? Baz\u0131lar\u0131 bozulabilir, baz\u0131lar\u0131 kutsal olan organik malzemelerden yap\u0131lm\u0131\u015f nesneleri nas\u0131l koruyabiliriz ve bunlar hakk\u0131nda nas\u0131l konu\u015fabiliriz? Bir m\u00fczede bile olsa, g\u00f6r\u00fcnmez olan\u0131n ne kadar\u0131n\u0131 yan\u0131m\u0131zda ta\u015f\u0131yoruz? Neler ne kadar s\u00fcreyle korunabilir? T\u00fcm nesneler sergilenebilir mi? Ve bunlar ger\u00e7ekte kime aittir? Kat\u0131 m\u00fcze standartlar\u0131 ekolojik gerekliliklerle nas\u0131l uzla\u015ft\u0131r\u0131labilir?<\/p>

Arbogast koleksiyonunun tarih\u00e7esi arac\u0131l\u0131\u011f\u0131yla, Vodoun\u2019un co\u011frafyas\u0131na ve tarihine yeniden dal\u0131yoruz. Her bir nesne, g\u00fcncel uygulamalar\u0131, Bat\u0131 ve Afrika perspektiflerini ve m\u00fczecilikle ilgili tercihleri i\u00e7eren karma\u015f\u0131k bir hik\u00e2ye anlat\u0131yor.
Ziyaret\u00e7iler, sergi boyunca m\u00fczenin misyonunu sorgulamaya davet edilecekler. Ger\u00e7ekten de, korumak, yorumlamak ve sergilemek tarafs\u0131z faaliyetler de\u011fildir. Bunlar bir taahh\u00fcd\u00fc ve bazen de bir ikilemi temsil eder. Kendi kendini finanse eden bir topluluk m\u00fczesi olarak Ch\u00e2teau Vodou, benzersizli\u011fini benimsemektedir: s\u0131n\u0131rl\u0131 kaynaklarla, koruma alt\u0131ndaki bir binada, ya\u015fayan k\u00fclt\u00fcrlerden do\u011fan k\u0131r\u0131lgan bir miras olan kolektif haf\u0131zan\u0131n hazinesini korumak.
\u2018"G\u00f6r\u00fcnmeyeni g\u00f6rmek", hem bir sergi, hem bir ara\u015ft\u0131rma hem de k\u00fclt\u00fcrel mirasa bug\u00fcn ve yar\u0131n ay\u0131rd\u0131\u011f\u0131m\u0131z yeri hep birlikte d\u00fc\u015f\u00fcnmeye y\u00f6nelik bir davettir.
A. Beck<\/p>

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Exhibition team <\/u><\/p>\n

Collectors: Marie-Luce and Marc Arbogast <\/p>\n

Curator: Adeline Beck <\/p>\n

Set designer: Ana-Carolina Gonzalez Palacios<\/p>\n

Scientific writing: Elise Matt-Gehringer, Catherine Elsensohn, Jean-Yves An\u00e9zo, Adeline Beck, K\u00e9fil Houssou, Ana-Carolina Gonzalez Palacios, Alice Niemi, Michael Mailfert, Maria Hirica<\/p>\n

Translations : E. Matt-Gehringer, Anna Sgryska<\/p>\n

Collection inventory and storage refurbishment: Katia-Myriam Borth-Arnold, Catherine Elsensohn, Adeline Beck, Ana-Carolina Gonzalez Palacios, Alice Niemi, Maria Hirica, Pascal Beck, Taner Tasar, Lo\u00efc An\u00e9zo, Evelyne Beck, Iyad Chambet, Jade Schreckenberg, Natalia Lorena Cocis. <\/p>\n

Podcast: Kawati Studios<\/p>\n

Project support: Compagnons du devoir, Cr\u00e9dit Agricole Heritage Foundation, Soci\u00e9t\u00e9 des Amis des Arts et des Mus\u00e9es de Strasbourg, EFH destination Strasbourg, Cr\u00e9dit Mutuel, Maison Klein, Eurom\u00e9tropole de Strasbourg J. G\u00e9rard, D. Gehringer, F. Undreiner, G. Jean-Charles, S. Freyzs.<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t

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Introduction by the Collector<\/h3>


I am deeply gratified by the decision of the Ch\u00e2teau Vodou Museum team to use this exhibition as an opportunity to shed light on the very meaning and function of a museum. Their objective \u2014 to highlight the work of conservation by exceptionally opening our storerooms to the public \u2014 is both rare and commendable.<\/p>

Since time immemorial, the collection of cultural objects has served as a bridge between peoples, fostering mutual understanding and intercultural dialogue. Yet it is undeniable that certain objects, once destined for veneration or ritual use, have become today mere collectible items, sometimes subject to speculation, with public access restricted or even commodified. Such tensions raise fundamental questions about the value, restitution, and preservation of cultural heritage.<\/p>

The approach undertaken by Marie-Luce and myself is rooted in this reflection. We have assembled a unique collection of Vodou objects not out of a spirit of profit, but from a sincere desire to understand, to cherish, and to transmit the richness of this culture. Many of these objects, often condemned to oblivion or destruction, have for us been a school of learning, a form of artistic expression, and a vessel of social, religious, and ecological history.<\/p>

This work of collecting has been conducted with respect and integrity: each acquisition was voluntary, purchased at the price requested, without coercion or speculation, and none of our pieces has ever been resold. When errors or copies were identified, they were not integrated into the collection \u2014 a testament to our commitment to authenticity. Our aim has never been financial gain, but education and respect for these cultures.<\/p>

We have also sought to ensure that this collection might serve as a written record, documenting in depth the religious, social, and environmental meanings of Vodou, thereby contributing to a greater recognition of a spirituality so often misunderstood. By participating in ceremonies and collaborating with experts and our team, we have endeavoured to honour and to highlight this tradition in all its complexity. The recent history of this collection, assembled after 1974, falls within the framework of the UNESCO Convention, strengthening our conviction that this undertaking constitutes neither a spoliation nor a matter for restitution, but rather a contribution to the valorisation of a world heritage. Recognition by the government of Benin \u2014 particularly through our collaboration with the future museum of Porto-Novo \u2014 attests to the credibility and legitimacy of our commitment.<\/p>

This exhibition aspires to reveal and celebrate the richness of Vodou, emphasising the importance of this culture in the history, social organisation, pharmacopoeia, and ecology of the region. Beyond being a mere assemblage of objects, it represents a message of openness, respect, and recognition towards a millennia-old tradition whose influence extends far beyond the borders of West Africa.<\/p>


M.Arbogast<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t

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The reorganization of our storage rooms: a colossal project.\u00a0<\/h3>

In 2024, the Ch\u00e2teau Vodou team took on a great challenge: to completely rethink its storage facilities! Now that the work is nearly complete, discover more about our project.<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t

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The Beginning of an Adventure: The Reorganization<\/h3>


In 2024, the Ch\u00e2teau Vodou team embarked on a major challenge: to completely rethink its storage facilities. Our goal was to better preserve the pieces in the collection, make them easier to study, and ensure they could be packed efficiently when loaned to other museums. Then a bold idea emerged: why not take advantage of this project to create a space that could also be visited by the public?
To make this project possible, it was first essential to seek support and partners. Indeed, reorganization requires funding. Then a schedule had to be established, and the work was able to begin in May 2025.
A. Beck, Administrator<\/em><\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t

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A Method from Canada<\/h3>


Since reorganizing storage is not a common task, the team first looked for information about possible procedures and action plans. That is how we decided to adopt a recognized method, developed in Canada with UNESCO: RE-ORG.
This method provides a clear, step-by-step process for organizing museum storage. The first exercise was to carry out a self-diagnosis: examining the condition of the building, the spaces, the storage furniture, and the management of the collections.
The verdict was clear: in every category we scored 2 points out of a total of 4. A reorganization was therefore essential, both for the collection and for the working conditions of the team!<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t

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Emptying, Sorting, Imagining<\/h3>


The first concrete step was spectacular: moving nearly 900 objects that had been resting in the mezzanine for 10 years. They were all transferred to the ground floor to protect them during the work.
Then, thanks to the collection inventory, each object was classified by size. This classification allowed our scenographer, Ana Carolina Gonzalez Palacios, to design a new layout for the storage space. The objective? To provide optimal, tailor-made storage, while staying within budget.
In the end, we decided to keep our old glass display cases but to equip ourselves with galvanized steel and wooden shelving (adapted to our objects), as well as new LED lighting.<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t

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The 10 Golden Rules<\/h3>

According to the RE-ORG method, a \u201cgood\u201d storage facility meets 10 quality criteria. These quickly became the compass for the entire team. Everyone was trained in them, and we intend to continue applying them year after year, within our means:<\/p>

\u2022 A qualified staff member is responsible
\u2022 The storage area contains only collection objects
\u2022 Separate rooms are dedicated to related functions: office, workshop, storage of equipment and non-collection materials
\u2022 No object is placed directly on the floor
\u2022 Each object has a designated location and can be found in less than three minutes
\u2022 Each object is accessible without moving more than two others (four in our case)
\u2022 Objects are arranged by categories
\u2022 Key policies and procedures are in place and observed
\u2022 The building and storage space provide adequate protection for the collections
\u2022 Each object is free of active deterioration and ready to serve the museum\u2019s activities (that\u2019s why we even have a freezer here! In case of infestation, objects are placed inside for 48 to 72 hours depending on their size).<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t

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Inventory and Documentation<\/h3>


The reorganization was also a wonderful opportunity for scientific work. Throughout the summer, the team took advantage of the move to enrich the inventory, carry out a complete verification, and perform maintenance on the collection!
Each piece was located, cleaned, measured, weighed, and described. The records of the 1,200 objects in the collection were updated and sometimes enriched.
Once the work was completed, the objects regained their place in the new storage facilities, arranged according to the RE-ORG principles. Now, each object can be identified at a glance and accessed effortlessly. Some were even grouped by typology: for example, display cases containing human bones include no wooden elements, in order to prevent the acidity of the wood from damaging these remains.<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t

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What Remains to Be Discovered<\/h3>


In September the project was completed. The objects, now better protected and organized, proudly occupy their new space.
But the adventure does not end there. Some pieces still hold their mysteries: their names, their exact origins, or their ritual uses remain at times only hypotheses. To uncover the truth, fieldwork will be needed in Togo or Benin, to meet practitioners of the Vodou religion and the scientific community.
We hope to achieve this in the near future, so that we can make our inventory available online to the public.
But that is another chapter of the story\u2026<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t

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\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\"\"\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t<\/div>","protected":false},"excerpt":{"rendered":"

New exhibition \/\/ Seeing the unseen: the storeroom unveiled INTRODUCTION Seeing the unseen: the storeroom unveiled Temporary exhibition from 16 October 2025 to 22 June […]<\/p>\n","protected":false},"author":3,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"site-sidebar-layout":"no-sidebar","site-content-layout":"page-builder","ast-site-content-layout":"default","site-content-style":"default","site-sidebar-style":"default","ast-global-header-display":"","ast-banner-title-visibility":"","ast-main-header-display":"","ast-hfb-above-header-display":"","ast-hfb-below-header-display":"","ast-hfb-mobile-header-display":"","site-post-title":"disabled","ast-breadcrumbs-content":"","ast-featured-img":"disabled","footer-sml-layout":"","ast-disable-related-posts":"","theme-transparent-header-meta":"default","adv-header-id-meta":"2981","stick-header-meta":"default","header-above-stick-meta":"","header-main-stick-meta":"","header-below-stick-meta":"","astra-migrate-meta-layouts":"default","ast-page-background-enabled":"default","ast-page-background-meta":{"desktop":{"background-color":"","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"tablet":{"background-color":"","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"mobile":{"background-color":"","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""}},"ast-content-background-meta":{"desktop":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"tablet":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"mobile":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""}},"footnotes":""},"class_list":["post-4566","page","type-page","status-publish","hentry"],"yoast_head":"\nNews - 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