{"id":56,"date":"2016-10-31T15:06:56","date_gmt":"2016-10-31T14:06:56","guid":{"rendered":"http:\/\/www.chateau-vodou.com\/Musee-Vodou\/?page_id=56"},"modified":"2025-10-17T14:22:06","modified_gmt":"2025-10-17T12:22:06","slug":"vudu","status":"publish","type":"page","link":"https:\/\/dani020.supserv.cozmoslabs.com\/tr\/le-vodou\/","title":{"rendered":"Vodou"},"content":{"rendered":"
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Daha fazla bilgi almak ister misiniz?


<\/h2>\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t
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Voodoo'yu, k\u00f6kenini, tarihini ve uygulamalar\u0131n\u0131 ke\u015ffedin... <\/h1>\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t
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Voodoo nedir?<\/h2>

Vodou, geni\u015f bir uygulama, rit\u00fcel ve inan\u00e7 yelpazesini kapsayan bir dindir. Bat\u0131 Afrika k\u00f6kenlidir ve daha kesin olarak eski Dahomey krall\u0131\u011f\u0131na dayan\u0131r. 17. y\u00fczy\u0131l civar\u0131nda bug\u00fcnk\u00fc halini alm\u0131\u015ft\u0131r.<\/p>

Son y\u0131llar\u0131n sinema ve pop\u00fcler k\u00fclt\u00fcr\u00fcndeki kli\u015felerden uzak olan bu maneviyat, do\u011fan\u0131n g\u00fc\u00e7lerinin ve atalar\u0131n kutsalla\u015ft\u0131r\u0131lmas\u0131na dayan\u0131r. Bu maneviyat, hayat\u0131n \u00f6z\u00fc gibi b\u00fcy\u00fck insani sorulara yan\u0131t bulmaya \u00e7al\u0131\u015f\u0131rken, ayn\u0131 zamanda g\u00fcnl\u00fck ihtiya\u00e7lara (para, ili\u015fkiler, sa\u011fl\u0131k sorunlar\u0131\u2026) da cevap aramaktad\u0131r.<\/p>

\u0130nan\u00e7 sahipleri i\u00e7in, g\u00f6r\u00fcnen d\u00fcnya (hayvanlar\u0131n, bitkilerin ve insanlar\u0131n d\u00fcnyas\u0131) ile g\u00f6r\u00fcnmeyen d\u00fcnya (tanr\u0131lar\u0131n ve atalar\u0131n d\u00fcnyas\u0131) aras\u0131ndaki dengeyi korumak hayati \u00f6nem ta\u015f\u0131r. B\u00f6ylece, tanr\u0131lar\u0131n, atalar\u0131n ve insanlar\u0131n geli\u015fmesini desteklemek i\u00e7in, bu iki d\u00fcnya kehanet sanat\u0131, \u015fark\u0131lar, danslar ve nesneler arac\u0131l\u0131\u011f\u0131yla ileti\u015fim kurmal\u0131d\u0131r.<\/p>

\u00abFon dilinde \u00bbVo\u00ab, rahatlamak, ar\u0131nmak, k\u00f6t\u00fc d\u00fc\u015f\u00fcncelerden kurtulmak anlam\u0131na gelir; \u00bbDoun\u00ab ise \u00e7ekmek, \u00e7\u0131karmak, gitmek anlam\u0131na gelir. B\u00f6ylece, "vodoun", "fiziksel d\u00fcnyada geli\u015fmek i\u00e7in ihtiya\u00e7 duydu\u011fumuz her \u015feyi g\u00f6r\u00fcnmez alemden \u00e7ekebilmek i\u00e7in rahatlamak" olarak \u00e7evrilebilir.<\/p>

Voodoo, her birinin kendine \u00f6zg\u00fc \u00f6zellikleri olan (i\u015flevi, rit\u00fcelleri, sembolleri) y\u00fczlerce tanr\u0131dan olu\u015fan bir panteon i\u00e7erir. Voodoo, Benin, Togo, Nijerya, Gana gibi bir\u00e7ok \u00fclkede h\u00e2l\u00e2 uygulanmaktad\u0131r; ayr\u0131ca Kuzey ve G\u00fcney Amerika, Karayipler ve Avrupa'da da farkl\u0131 bi\u00e7imlerde g\u00f6r\u00fclmektedir.<\/p>

Bu, h\u00e2l\u00e2 pek \u00e7ok s\u0131r bar\u0131nd\u0131ran zengin ve karma\u015f\u0131k bir k\u00fclt\u00fcrd\u00fcr.<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t

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Voodoo hakk\u0131nda k\u0131sa bir tan\u0131m\u00a0<\/h2>

Voodoo, tanr\u0131lara, atalara ve g\u00f6r\u00fcnmez g\u00fc\u00e7lere tap\u0131nmaya dayanan geleneksel bir Afrika dinidir. Rit\u00fceller, ilahiler ve kutsal nesneler arac\u0131l\u0131\u011f\u0131yla ruhani d\u00fcnyayla ileti\u015fim kurmay\u0131 sa\u011flar. K\u00f6klerini Yoruba inanc\u0131ndan ve Dahomey Krall\u0131\u011f\u0131\u2019ndan al\u0131r.<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t

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Ayr\u0131nt\u0131l\u0131 olarak:<\/h2>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t
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\n\t\t\t\t\t\t\t\t\t\t\t\t\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t<\/path><\/svg><\/span>\n\t\t\t\t\t\t\t\t<\/path><\/svg><\/span>\n\t\t\t\t\t\t\t\t\t\t\t\t\t<\/span>\n\t\t\t\t\t\t\t\t\t\t\t\tVodou teriminin k\u00f6keni<\/a>\n\t\t\t\t\t<\/div>\n\n\t\t\t\t\t

"Vodou" yaz\u0131m\u0131, Fongb\u00e9 dilindeki "Vodoun" teriminin fonetik bir varyasyonudur. Fongb\u00e9 ve Yoruba dillerinin t\u00fcm fonetik inceliklerini Avrupa kula\u011f\u0131n\u0131n alg\u0131lamas\u0131 zordur. Bu durumda, "vodoun"daki "n" son eki, Gb\u00e9 (Ewe, Adja, Fon, Gen, Phla-Phera; Benin, Gana, Togo ve Nijerya\u2019da konu\u015fulur) ve Yoruba (Kwa grubunun dili: Yoruba-Nago; esas olarak Benin ve Nijerya\u2019da konu\u015fulur) dillerinin ince seslerine a\u015fina olmayan Avrupal\u0131lar i\u00e7in neredeyse duyulmazd\u0131r.<\/p>

Benin'de "vodou" terimi kullan\u0131lmaz. Tanr\u0131lar ve onlara \u00f6zg\u00fc dini uygulamalar\u0131 ifade etmek i\u00e7in kullan\u0131lan kelime, Fongb\u00e9 dilindeki "vodoun"dur.<\/p>

Haiti\u2019de Voodoo, \u0130ngilizce\u2019de Voodoo\u2026 Voodoo teriminin yaz\u0131l\u0131\u015f \u015fekli, s\u00f6m\u00fcrgecilerin fonetik olarak aktard\u0131klar\u0131na g\u00f6re de\u011fi\u015fiklik g\u00f6stermektedir. Yoruba dilinde tanr\u0131lar\u0131 ifade eden ve Gine K\u00f6rfezi'nden gelen k\u00f6lele\u015ftirilmi\u015f halklar taraf\u0131ndan getirilen "orisha" teriminin, g\u00fcn\u00fcm\u00fczde Brezilya'da "vodoun" kelimesi yerine hala kullan\u0131ld\u0131\u011f\u0131na dikkat \u00e7ekmek gerekir.<\/p>

Gana\u2019dan Nijerya\u2019ya, Togo ve Benin\u2019e kadar uzanan b\u00f6lgede vudu dinini inceleyen \u00e7e\u015fitli ara\u015ft\u0131rmac\u0131lar, kelimelere \u00e7ok farkl\u0131 anlamlar kazand\u0131ran fonetik n\u00fcanslar\u0131n \u00f6nemini fark etmi\u015fler; ancak Frans\u0131zca\u2019da bu kelimeler i\u00e7in ortak bir yaz\u0131m kural\u0131 bulunmamaktad\u0131r.<\/p>

Bernard Maupoil, "Vod\u0169" (not: "u" harfinin \u00fczerinde tilde ile) yazmaktad\u0131r. Foto\u011fraf\u00e7\u0131 ve etnolog Pierre Fatumbi Verger ise "vodoun" terimini kullanmaktad\u0131r. Etnolog Albert de Surgy "vodu" yazarken, antropolog Klaus Hamberger ve tarih\u00e7i Dominique Juh\u00e9-Beaulaton bizim de benimsedi\u011fimiz "vodou" yaz\u0131m\u0131n\u0131 kullan\u0131yor.<\/p>

"Vodoun" terimi ne anlama geliyor? K\u00e9fil Houssou (Vodou \u015eatosu M\u00fczesi'nde g\u00f6revli Beninli rehber) bu terimi \u015fu \u015fekilde a\u00e7\u0131kl\u0131yor:<\/p>

Orijinal metin: Rahat olun, \u00f6nyarg\u0131larla kendinizi s\u0131n\u0131rlamay\u0131n.
DOUN: \u00c7ekmek, \u00e7\u0131karmak, almak.
Bu, pratikte \u015fu anlama gelir: \u00abUyum i\u00e7inde, insanlar\u0131n g\u00f6r\u00fcn\u00fcr d\u00fcnyada kendilerini ger\u00e7ekle\u015ftirebilmeleri i\u00e7in ihtiya\u00e7 duyduklar\u0131 \u015feyleri g\u00f6r\u00fcnmez alemden almak\u00bb.<\/p>

"Voodoo"lar, do\u011fan\u0131n ya\u015fam g\u00fc\u00e7leriyle derinden ba\u011flant\u0131l\u0131 olan atalardan kalma tanr\u0131lard\u0131r; g\u00fc\u00e7lerini ve yeteneklerini bu g\u00fc\u00e7lerden al\u0131rlar; anla\u015f\u0131lmas\u0131 zor, korkulan, ancak insanlar i\u00e7in son derece yararl\u0131 varl\u0131klard\u0131r.<\/p>

\u00d6zetle, Afrika\u2019daki vudu ayinleri ve ibadetlerinin karma\u015f\u0131kl\u0131\u011f\u0131 ve \u00e7e\u015fitlili\u011fi, farkl\u0131 kozmogonilerinde de olsa ayn\u0131 amaca y\u00f6neliktir: \u0130nsanlara yard\u0131m etmek ve hayatlar\u0131na bir anlam kazand\u0131rmak, \u00f6l\u00fcler diyar\u0131na ge\u00e7i\u015flerini haz\u0131rlamak; bu varolu\u015fu, g\u00fc\u00e7leri hem yararl\u0131 hem de korkutucu olabilen atalar ve tanr\u0131larla dolu bir kozmosa entegre etmek.
\u00abBu ibadetler temel olarak do\u011fa g\u00fc\u00e7lerine ve tanr\u0131la\u015ft\u0131r\u0131lm\u0131\u015f atalara y\u00f6neliktir ve \u00f6l\u00fclerle ya\u015fayanlar\u0131 ailevi, s\u00fcreklilik i\u00e7eren ve dayan\u0131\u015fmaya dayal\u0131 bir b\u00fct\u00fcn halinde birle\u015ftiren geni\u015f bir sistem olu\u015fturur.\u00bb<\/p>

P. FATUMBI VERGER. Afrika Tanr\u0131lar\u0131, Giri\u015f. Revue Noire Yay\u0131nlar\u0131, Paris 1995. 416 s.<\/p>

Jean-Yves ANEZO. M\u00fcze rehberi.<\/p>

\u00a0<\/p>

\"Asen\"<\/p><\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t\t\t

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Yoruba, Fon ve Ewe inan\u00e7lar\u0131n\u0131n birle\u015fmesinden do\u011fan vudu, 17. y\u00fczy\u0131l civar\u0131nda, Abomey'deki Fon Krall\u0131\u011f\u0131'n\u0131n kurulmas\u0131 ve ard\u0131ndan geni\u015flemesi s\u0131ras\u0131nda bug\u00fcnk\u00fc halini alm\u0131\u015ft\u0131r.<\/p>

Daha sonra, Adja-Tado k\u00fclt\u00fcr b\u00f6lgesinde art arda ger\u00e7ekle\u015fen g\u00f6\u00e7lerin sonucu ortaya \u00e7\u0131kan halklar\u0131n k\u00fclt\u00fcrel temeli haline gelecektir. Do\u011fuda Ou\u00e9m\u00e9 Nehri, bat\u0131da Volta Nehri ve g\u00fcneyde eskiden "K\u00f6leler K\u0131y\u0131s\u0131" olarak adland\u0131r\u0131lan b\u00f6lge ile s\u0131n\u0131rlanan Adja-Tado k\u00fclt\u00fcr alan\u0131, co\u011frafyac\u0131lar\u0131n Sudan savan\u0131 olarak adland\u0131rd\u0131klar\u0131 b\u00f6lgenin kalbinde, 0 ile 3. boylam dereceleri aras\u0131nda 200 ila 300 km derinlikte uzanmaktad\u0131r.<\/p>

Bu \u015fekilde tan\u0131mlanan k\u00fclt\u00fcrel alan\u0131n n\u00fcfusu, a\u011f\u0131rl\u0131kl\u0131 olarak a\u015fa\u011f\u0131daki etnik gruplardan olu\u015fmaktad\u0131r:<\/p>


\u2022 Togo\u2019daki Yoto ile Benin\u2019deki Couffo aras\u0131ndaki b\u00f6lgede ya\u015fayan ADJA (AJA) halk\u0131.
\u2022 Volta ile Yoto nehirleri aras\u0131ndaki b\u00f6lgede ya\u015fayan \u00c9V\u00c9 (\u00c9W\u00c9) halk\u0131.
\u2022 Ou\u00e9m\u00e9 ile Couffo aras\u0131ndaki b\u00f6lgedeki FON (FON).
\u2022 "K\u00f6leler K\u0131y\u0131s\u0131" olarak bilinen sahil \u015feridi boyunca uzanan GUIN (G\u00ca) k\u00f6yleri.
\u2022 XWLA ve XW\u00c9DA, genel olarak G\u00ea halk\u0131yla ayn\u0131 co\u011frafi b\u00f6lgede yer almaktad\u0131r.
\u2022 GOUN (GUN) \u00fcyeleri, esas olarak Porto-Novo \u015fehri ve \u00e7evresinde bulunmaktad\u0131r.
\u2022 Nokw\u00e9 G\u00f6l\u00fc \u00e7evresindeki A\u00cfZO (AYIZO) halk\u0131, Allada b\u00f6lgesi ve \u00e7evresi.
\u2022 Bopa b\u00f6lgesindeki Ko'nun kara topraklar\u0131nda ya\u015fayan SAHW\u00c9 halk\u0131.
Danhome, Kral Agadja\u2019n\u0131n h\u00fck\u00fcmdarl\u0131\u011f\u0131 d\u00f6neminde (1708-1740) g\u00fcneyde Atlantik k\u0131y\u0131lar\u0131na do\u011fru geni\u015fledi; 1724'te Allada'n\u0131n, ard\u0131ndan 1727'de Ouidah'\u0131n ele ge\u00e7irilmesinden sonra, etki alan\u0131 Oyo \u0130mparatorlu\u011fu'nun (Nijerya) s\u0131n\u0131rlar\u0131ndan Ashanti Krall\u0131\u011f\u0131'n\u0131n (g\u00fcn\u00fcm\u00fcz Gana) s\u0131n\u0131rlar\u0131na kadar uzanm\u0131\u015ft\u0131r.,
Afrika'n\u0131n bu b\u00f6lgesi, Avrupa ve Kuzey Afrika k\u00fclt\u00fcrlerini tan\u0131yordu; bu da vudu'nun do\u011fu\u015fundan itibaren Hristiyan, M\u00fcsl\u00fcman ve Yahudi unsurlar\u0131n\u0131 b\u00fcnyesine katmas\u0131n\u0131n nedenini a\u00e7\u0131kl\u0131yor.<\/p>


\u0130lk bak\u0131\u015fta, ortaya \u00e7\u0131kt\u0131\u011f\u0131 toplumlar gibi, vudu da kapsaml\u0131 ve \u00f6z\u00fcnde \u00e7ok k\u00fclt\u00fcrl\u00fc bir dindir.<\/p>


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\n\t\t\t\t\t\t\t\t\t\t\t\t\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t<\/path><\/svg><\/span>\n\t\t\t\t\t\t\t\t<\/path><\/svg><\/span>\n\t\t\t\t\t\t\t\t\t\t\t\t\t<\/span>\n\t\t\t\t\t\t\t\t\t\t\t\tVodou: Tanr\u0131lar ve \u015fekillerin devasa bir \u00fcretim merkezi<\/a>\n\t\t\t\t\t<\/div>\n\n\t\t\t\t\t

Voodoo denince, akla genellikle d\u00fcnya \u00e7ap\u0131nda milyonlarca insan taraf\u0131ndan uygulanan bir ya\u015fam felsefesi yerine, \u015fiddetli translar, zombiler ve i\u011fnelerle delinmi\u015f bebeklerin yer ald\u0131\u011f\u0131 Hollywood tarz\u0131 voodoo sahneleri gelir.<\/p>

Voodoo\u2019nun her yerde oldu\u011fu do\u011frudur; sadece do\u011fdu\u011fu yer olan Bat\u0131 Afrika\u2019da de\u011fil, ayn\u0131 zamanda Afrika\u2019dan getirilen k\u00f6leler sayesinde Kuzey Amerika, G\u00fcney Amerika ve Karayipler\u2019de de yayg\u0131nd\u0131r; ayr\u0131ca 20. y\u00fczy\u0131ldaki g\u00f6\u00e7 hareketleri sayesinde Avrupa\u2019da da yay\u0131lm\u0131\u015ft\u0131r. Voodoo, ister bir din ister bir ya\u015fam felsefesi olarak kabul edilsin, geni\u015f bir inan\u00e7 ve uygulama yelpazesini kapsamaktad\u0131r.
Voodoo, buradaki ve \u00f6teki d\u00fcnyay\u0131 bir b\u00fct\u00fcn olarak alg\u0131lama bi\u00e7imidir; bu alg\u0131ya g\u00f6re insan, atalar, ruhlar, tanr\u0131lar ve insanlar\u0131n hayatlar\u0131na m\u00fcdahale edebilecek t\u00fcm enerjilerle dolu, g\u00f6r\u00fcnmez olan bu \u00f6teki d\u00fcnyaya ba\u011f\u0131ml\u0131d\u0131r. Her vudu hikayesinin bir travma ile ba\u015flad\u0131\u011f\u0131 s\u00f6ylenebilir: felaketlerin, hastal\u0131klar\u0131n ve \u00f6l\u00fcmlerin, sava\u015flar\u0131n ve di\u011fer felaketlerin a\u00e7\u0131klamalar\u0131 bu paralel d\u00fcnyada yan\u0131t bulur. Asl\u0131nda vudu, bu talihsizli\u011fi yorumlaman\u0131n bir yoludur. Basit bir s\u0131nav ba\u015far\u0131s\u0131zl\u0131\u011f\u0131ndan \u015fiddetli bir \u00f6l\u00fcme kadar uzanan bu talihsizlikler, o zaman ba\u015fka bir yerden gelen bir mesaj olarak yorumlanabilir hale gelir. B\u00f6ylece, Fa kehaneti yard\u0131m\u0131yla insan, hepsi de \u00e7eli\u015fkili, \u00f6fkeli, k\u0131skan\u00e7, kibirli ve kendini be\u011fenmi\u015f olan bu geni\u015f vudu tanr\u0131lar\u0131 ailesiyle (\u015fu anda yakla\u015f\u0131k 300 vudu oldu\u011fu s\u00f6yleniyor) ileti\u015fim kurmaya y\u00f6nlendirilir. Bir bak\u0131ma, bu vudu tanr\u0131lar\u0131 bize bir ayna tutar.
Bu g\u00f6r\u00fcnmez d\u00fcnyayla ileti\u015fim, rit\u00fceller, m\u00fczik ve danslar\u0131n yan\u0131 s\u0131ra nesneler arac\u0131l\u0131\u011f\u0131yla da kurulur. Bu nedenle, ah\u015fap heykeller, paketler, maskeler, sopalar, boynuzlar ya da otlarla doldurulmu\u015f \u015fi\u015feler, d\u00f6n\u00fc\u015ft\u00fcr\u00fclm\u00fc\u015f mutfak e\u015fyalar\u0131, tan\u0131mlanamaz malzeme y\u0131\u011f\u0131nlar\u0131, dikilmi\u015f, dizilmi\u015f, ba\u011flanm\u0131\u015f \u00e7e\u015fitli \u00f6\u011feler, Marc Arbogast'\u0131n koleksiyonunda g\u00f6rd\u00fc\u011f\u00fcm\u00fcz gibi, bize insanlar\u0131n hayatlar\u0131ndan, ge\u00e7mi\u015ften ve ayn\u0131 zamanda g\u00fcn\u00fcm\u00fczden pek \u00e7ok ki\u015fisel ya da toplumsal hikaye anlat\u0131r. Son otuz y\u0131l boyunca Nijerya, Benin, Togo ve Gana'da yakla\u015f\u0131k bin nesne topland\u0131 ve \u2013 tuhaf bir yoldan \u2013 Strazburg'daki Ch\u00e2teau Vodou'ya ula\u015ft\u0131.<\/p>


Ge\u00e7mi\u015fe ait \u00e7o\u011fu Afrika eserleri koleksiyonunun (ister kamu ister \u00f6zel olsun) aksine, buradaki koleksiyon ya\u015fayan bir sanat koleksiyonudur. \u00c7\u00fcnk\u00fc Voodoo M\u00fczesi'nde bu nesneler vitrinlerde sergilenirken, ba\u015fka yerlerde ayn\u0131 nesneler tap\u0131n\u0131lmakta, sunaklar\u0131n \u00fczerine, k\u00f6ylerin kenarlar\u0131na, mezarlar\u0131n \u00fczerine, odalar\u0131n i\u00e7ine, merakl\u0131 g\u00f6zlerden uzak bir \u015fekilde saklanmaktad\u0131r. \u0130\u015fte bu koleksiyonun \u00e7o\u011fu m\u00fczede rastlanmayan \u00f6zelli\u011fi ve t\u00fcm belirsizli\u011fi budur. Dolay\u0131s\u0131yla, bu koleksiyonun \u00e7a\u011fda\u015fl\u0131\u011f\u0131, Afrika sanat\u0131n\u0131 kavramak i\u00e7in farkl\u0131 bir yakla\u015f\u0131m gerektirir ve g\u00fcn\u00fcm\u00fcz\u00fcn kutsal alan\u0131na ait bu nesnelerin nas\u0131l sergilenmesi gerekti\u011fi \u00fczerine bir d\u00fc\u015f\u00fcnceyi zorunlu k\u0131lar. O halde, g\u00fcn\u00fcm\u00fcz\u00fc anlatan ve hem vudu inanc\u0131na sahip ki\u015filere, hem de s\u0131radan m\u00fcze ziyaret\u00e7ilerine ya da sanat\u00e7\u0131lara hitap eden bir m\u00fczeyi yeniden icat etmek gerekiyor. Bu, 21. y\u00fczy\u0131l m\u00fczesi i\u00e7in hen\u00fcz ke\u015ffedilmeyi bekleyen geni\u015f bir \u00e7al\u0131\u015fma alan\u0131.<\/p>

Bu Vudu m\u00fczesi, h\u00e2l\u00e2 pek bilinmeyen bir felsefeyi ve Vudu\u2019yu karakterize eden bu inan\u0131lmaz yarat\u0131c\u0131l\u0131\u011f\u0131 ele almak i\u00e7in bir f\u0131rsat sunuyor. \u00c7\u00fcnk\u00fc Marc Arbogast'\u0131n koleksiyonundaki nesnelere bakmak, bu sanat\u0131n inan\u0131lmaz bir esnekli\u011fe sahip oldu\u011funu, her seferinde yeni bi\u00e7imler \u2013 t\u0131pk\u0131 yeni vudu heykelleri gibi \u2013 yaratarak Hristiyan, Budist, M\u00fcsl\u00fcman veya Hindu unsurlar\u0131 bir araya getirip, en farkl\u0131 ve uyumsuz malzemeleri birle\u015ftirip d\u00f6n\u00fc\u015ft\u00fcr\u00fcr. Bu inan\u0131lmaz nesnelerden olu\u015fan kar\u0131\u015f\u0131k koleksiyon, ya\u015fanm\u0131\u015f talihsizliklerin par\u00e7alar\u0131, ac\u0131lar\u0131n ve \u00e7aresizli\u011fin ifadeleri, ki\u015fisel hikayelerle dolu, vitrinde sergilenerek zamanda donmu\u015f bu nesneler, bizi \u015fa\u015f\u0131rtmaya ve insanl\u0131k durumumuzu sorgulamaya devam ediyor.<\/p>


Nanette Jacomijn Snoep<\/p>

\u00a0<\/p>

\"\"<\/p><\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t\t\t

\n\t\t\t\t\t
\n\t\t\t\t\t\t\t\t\t\t\t\t\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t<\/path><\/svg><\/span>\n\t\t\t\t\t\t\t\t<\/path><\/svg><\/span>\n\t\t\t\t\t\t\t\t\t\t\t\t\t<\/span>\n\t\t\t\t\t\t\t\t\t\t\t\tVodoun'un do\u011fu\u015fu<\/a>\n\t\t\t\t\t<\/div>\n\n\t\t\t\t\t

K\u00f6kenleri ne olursa olsun t\u00fcm insanlar\u0131n kar\u015f\u0131s\u0131na \u00e7\u0131kan birka\u00e7 temel soruya (Biz kimiz? Neredeyiz? Nereden geliyoruz?), Benin K\u00f6rfezi (eski Dahomey veya Danhom\u00e8) halklar\u0131, \u00f6zellikle de Fon halk\u0131, bir cevap vermi\u015ftir: vudu.<\/p>

Hollywood kli\u015felerinden ve imgelerinden \u00e7ok uzak olan vudu, b\u00fct\u00fcn bir ya\u015fam anlay\u0131\u015f\u0131n\u0131n, bir d\u00fcnya g\u00f6r\u00fc\u015f\u00fcn\u00fcn ve insan i\u00e7in etkili bir pratik felsefenin ifadesidir.<\/p>

Vodoun'un k\u00f6keni
Vodoun'un geli\u015fti\u011fi Danhom\u00e8 Krall\u0131\u011f\u0131, 17. y\u00fczy\u0131lda Adja-Fon halklar\u0131n\u0131n Abomey platosuna yerle\u015fti\u011fi bir dizi g\u00f6\u00e7\u00fcn ard\u0131ndan kuruldu.<\/p>

Nijerya\u2019n\u0131n If\u00e9 ve Oyo b\u00f6lgelerindeki Yoruba halk\u0131 ile Gana\u2019daki Ashanti halk\u0131ndan k\u00fclt\u00fcrel ve dini a\u00e7\u0131dan etkilenen bu k\u00fc\u00e7\u00fck halk, y\u0131llar i\u00e7inde g\u00fc\u00e7l\u00fc bir krall\u0131k ve korkulan bir ulus kurdu. Nitekim, 17. ve 18. y\u00fczy\u0131llarda k\u00f6le ticareti, daha \u00f6nce g\u00f6r\u00fclmemi\u015f bir yo\u011funluk ve h\u0131z kazand\u0131; bu durum, etkilenen n\u00fcfuslar\u0131n dengesini ve dolay\u0131s\u0131yla toplumlar aras\u0131ndaki jeopolitik dengeyi de\u011fi\u015ftirdi.<\/p>

Danhom\u00e8\u2019nin bu korkun\u00e7 ger\u00e7e\u011fe uyum sa\u011flamas\u0131 ilk etapta siyasi nitelikteydi; ancak burada, \u015fimdilik bir din olarak ele al\u0131nan vudun\u2019un evrimindeki bu tamamlay\u0131c\u0131 y\u00f6n\u00fc ayr\u0131nt\u0131l\u0131 olarak ele almak bize d\u00fc\u015fmez. Sadece \u015funu s\u00f6ylemekle yetinelim: 1625 y\u0131l\u0131nda Hou\u00e9gbadja taraf\u0131ndan krall\u0131\u011f\u0131n kurulmas\u0131ndan sonra, halihaz\u0131rda \u00e7ok say\u0131da tanr\u0131 varken, vudu ger\u00e7ek bir ibadet sistemi haline geldi.<\/p>

Kral Agadja (1708-1740) d\u00f6neminde, Danhom\u00e8 Krall\u0131\u011f\u0131 fetihler sayesinde geni\u015fledi ve g\u00fc\u00e7lendi. Sava\u015flar, kral\u0131n d\u00fc\u015fmanlar\u0131 esir almas\u0131na olanak sa\u011flad\u0131; bu esirler k\u0131y\u0131larda Avrupal\u0131lara k\u00f6le olarak sat\u0131ld\u0131. B\u00f6ylelikle k\u00f6le ticareti, krall\u0131\u011f\u0131n maddi kaynaklar\u0131n\u0131 art\u0131rmas\u0131na olanak sa\u011flad\u0131.<\/p>

Bununla birlikte, esir al\u0131nan halklar aras\u0131nda (\u00f6zellikle Mahiler ve Yorubalar), \u00f6zel bir beceriye sahip baz\u0131 ki\u015filer sat\u0131lmaz. Bu ki\u015filer yeteneklerine g\u00f6re bireysel olarak de\u011ferlendirilir: \u00f6rne\u011fin, baz\u0131lar\u0131n\u0131n ok\u00fclt yetenekleri varsa ve kontrol ettikleri g\u00fc\u00e7ler Danhom\u00e8'de mevcut de\u011filse, soylular aras\u0131na al\u0131n\u0131r ve y\u00fcksek mevkilere atan\u0131r, b\u00f6ylece bilgilerini krall\u0131\u011f\u0131n hizmetine sunarlar. B\u00f6ylece, Sakpata vudu (toprak ve \u00e7i\u00e7ek hastal\u0131\u011f\u0131 tanr\u0131s\u01313) Nijerya'dan gelen Nagolar\u0131n ya\u015fad\u0131\u011f\u0131 Dassa k\u00f6kenlidir. Y\u0131ld\u0131r\u0131m tanr\u0131s\u0131 H\u00e8bioso ise, sakinleri g\u00fcn\u00fcm\u00fczde Gana olarak bilinen bir b\u00f6lgeden gelen Hou\u00e9da'dan gelmektedir. Bu durum, bug\u00fcn Danhom\u00e8 b\u00f6lgesinde rastlanan \u00e7ok \u00e7e\u015fitli inan\u00e7, el sanatlar\u0131 ve m\u00fczik t\u00fcrlerini a\u00e7\u0131klamaktad\u0131r.<\/p>

18. y\u00fczy\u0131l\u0131n ikinci yar\u0131s\u0131nda, Kral Tegbessou panteonu b\u00fcy\u00fck vudu ailelerine g\u00f6re d\u00fczenledi ve belirlenen bir protokol \u00e7er\u00e7evesinde bunlar\u0131n bak\u0131m\u0131n\u0131 \u00fcstlenecek ki\u015fileri kendisi atad\u0131.
Bu b\u00fcy\u00fck aileler \u015funlard\u0131r:<\/p>

\u2022 Toxwio Agasu (panter); ;
\u2022 Mawu-Lisa (kurucu \u00e7ift); ;
\u2022 H\u00e8bioso (y\u0131ld\u0131r\u0131m); ;
\u2022 Sakpata (toprak ve \u00e7i\u00e7ek hastal\u0131\u011f\u0131); ;
\u2022 Tovodoun-Nensuxwe (kraliyet ailesinin atalar\u0131); ;
\u2022 Yalode (Yoruba halk\u0131nda Nensuxwe'ye kar\u015f\u0131l\u0131k gelen).<\/p>

Aileler, her birinin kendine \u00f6zg\u00fc bir ad\u0131 olan \u00e7ok say\u0131da tanr\u0131dan olu\u015fur. \u00d6rne\u011fin, H\u00e8bioso\u2019nun ailesinde Sogbo (baba), Hou veya Xwu (anne), Avlekete veya Toxosu (H\u00e8bioso\u2019nun anormal \u00e7ocuklar\u0131ndan biri) vard\u0131r\u2026
B\u00f6ylece, birbirini izleyen h\u00fck\u00fcmdarlar\u0131n fetihleri \u2013 \u00f6zellikle Agadja (1708-1740) ve Tegbessou (1740-1774) \u2013 ve bunlarla birlikte d\u00fc\u015fmanlardan al\u0131nan yeni tanr\u0131lar\u0131n yerle\u015ftirilmesiyle, vudu panteonunun titiz ve yap\u0131land\u0131r\u0131lm\u0131\u015f bir organizasyonu olu\u015fturuldu.<\/p>

\"\"<\/p><\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t\t\t

\n\t\t\t\t\t
\n\t\t\t\t\t\t\t\t\t\t\t\t\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t<\/path><\/svg><\/span>\n\t\t\t\t\t\t\t\t<\/path><\/svg><\/span>\n\t\t\t\t\t\t\t\t\t\t\t\t\t<\/span>\n\t\t\t\t\t\t\t\t\t\t\t\tGizlenmi\u015f dinler<\/a>\n\t\t\t\t\t<\/div>\n\n\t\t\t\t\t

Ard\u0131ndan maskeli tanr\u0131lar gelir: Bunlar, birbiriyle i\u00e7 i\u00e7e ge\u00e7mi\u015f Egungun (hayaletler) ve Oro (\u00f6l\u00fclerin ruhlar\u0131), Zangbeto ve Bligede (gecenin bek\u00e7ileri) ile Brezilya k\u00f6kenli vudu tanr\u0131s\u0131 Caleta\u2019d\u0131r.<\/p>

Bu maskeli tanr\u0131lar\u0131n \u00f6zelli\u011fi, esas olarak erkeklere \u00f6zg\u00fc olmalar\u0131d\u0131r; oysa di\u011fer k\u00fcltlerde kad\u0131nlar b\u00fcy\u00fck \u00f6l\u00e7\u00fcde temsil edilmektedir.
Son olarak, her bir ana tanr\u0131 ailesinde birka\u00e7 \u00e7apraz vudu tanr\u0131s\u0131 da bulunmaktad\u0131r: Legba (panteonun arabulucusu, koruyucu ve erkeksi tanr\u0131), Toxosu (\u00f6l\u00fc do\u011fan veya sakat \u00e7ocuklar), Dan (g\u00f6kku\u015fa\u011f\u0131 y\u0131lan\u0131), Gu (demir tanr\u0131s\u0131).<\/p>

Panteondaki tanr\u0131lar esasen do\u011fa g\u00fc\u00e7lerini, tanr\u0131la\u015ft\u0131r\u0131lm\u0131\u015f atalar\u0131 ve ruhani g\u00fc\u00e7leri yans\u0131tmaktad\u0131r.<\/p>

Bunlar, insanlar ile sosyal ve k\u00fclt\u00fcrel \u00e7evreleri aras\u0131nda, ayr\u0131ca ya\u015famlar\u0131n\u0131 tam anlam\u0131yla s\u00fcrd\u00fcrebilmek i\u00e7in ihtiya\u00e7 duyduklar\u0131 her \u015feyi ald\u0131klar\u0131 do\u011fa aras\u0131nda bir uyumun korunmas\u0131n\u0131 sa\u011flar.<\/p>

Abomey'de panteon, kraliyet ailesinin atalar\u0131 olan Tovodoun-Nensuxwe vudu ailesine mensup, Akaba'n\u0131n gayri me\u015fru o\u011flu Zomandonou'nun hiyerar\u015fik yetkisi alt\u0131ndad\u0131r. B\u00f6ylece panteon, kral\u0131n saray\u0131yla do\u011frudan ba\u011flant\u0131l\u0131d\u0131r ve Zomandonou'nun ba\u015f rahibi, bilge din adamlar\u0131ndan olu\u015fan bir dini kurul olan vodoun'un y\u00fcksek mahkemesinin ba\u015fkan\u0131d\u0131r.<\/p>

\u00a0<\/p>

\"\"<\/p><\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t\t\t

\n\t\t\t\t\t
\n\t\t\t\t\t\t\t\t\t\t\t\t\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t<\/path><\/svg><\/span>\n\t\t\t\t\t\t\t\t<\/path><\/svg><\/span>\n\t\t\t\t\t\t\t\t\t\t\t\t\t<\/span>\n\t\t\t\t\t\t\t\t\t\t\t\tTemel Fa<\/a>\n\t\t\t\t\t<\/div>\n\n\t\t\t\t\t

Danhom\u00e8\u2019deki vudu\u2019dan bahsederken Fa\u2019dan s\u00f6z etmeden ge\u00e7emeyiz. Eski M\u0131s\u0131r\u2019a ait bu kehanet sanat\u0131, Nil Nehri \u00fczerinden ge\u00e7erek \u00f6nce Nijerya\u2019n\u0131n If\u00e9 kentine ula\u015ft\u0131, ard\u0131ndan Fonlar taraf\u0131ndan benimsenip uyarlanm\u0131\u015ft\u0131r.<\/p>


Bu, deniz kabu\u011fu ya da yabani elma kabuklar\u0131n\u0131n at\u0131lmas\u0131yla ortaya \u00e7\u0131kan g\u00fc\u00e7leri \u00e7\u00f6z\u00fcmlemeye ve bunlardan tavsiyeler \u00e7\u0131karmak \u00fczere yorumlamaya olanak tan\u0131yan bir jeomansi t\u00fcr\u00fcd\u00fcr.
Fa kehaneti, insanlar\u0131n tanr\u0131larla ileti\u015fim kurmas\u0131n\u0131 sa\u011flayan bir dil yaratmas\u0131 bak\u0131m\u0131ndan vudun\u2019un anahtar\u0131 haline gelmi\u015ftir. \u015eunu vurgulamak gerekir ki, Fa olmasayd\u0131 vudun hi\u00e7bir zaman ger\u00e7ek bir normatif varl\u0131k kazanamazd\u0131. Nitekim, Fa'n\u0131n olaylar\u0131 analiz etme g\u00fcc\u00fc, vudu'nun mant\u0131\u011f\u0131yla birle\u015ferek ona g\u00fcn\u00fcm\u00fcze kadar s\u00fcren bir etkinlik ve g\u00f6r\u00fcn\u00fcrl\u00fck kazand\u0131rm\u0131\u015ft\u0131r.<\/p>

Fa, kabul g\u00f6rm\u00fc\u015f bir ara\u015ft\u0131rma ve karar verme y\u00f6ntemi haline gelmeden \u00f6nce, Danhom\u00e8\u2019de gayri resmi olarak uygulan\u0131yordu. Tarihsel bir anekdot, bu kehanet uygulamas\u0131n\u0131n Abomey kraliyet saray\u0131 taraf\u0131ndan nas\u0131l benimsendi\u011fini a\u00e7\u0131kl\u0131yor. Kral Akaba (1685-1708) sava\u015f alan\u0131nda hayat\u0131n\u0131 kaybettikten sonra, taht ikiz karde\u015fi Hangb\u00e9'ye (1708-1711) devredildi. Karde\u015finin intikam\u0131n\u0131 almaya kararl\u0131 olan Hangb\u00e9, ba\u015far\u0131l\u0131 bir ceza seferi ba\u015flatt\u0131. Buna ra\u011fmen, \u00fc\u00e7 y\u0131l sonra, kurallara g\u00f6re ye\u011feninin halefi olmas\u0131 gerekirken, iktidar\u0131 k\u00fc\u00e7\u00fck karde\u015fi Agadja'ya (1708-1740) devretmek zorunda kald\u0131. Lanetli olan Agadja, Oyo'nun (Nijerya) istilas\u0131n\u0131 durduramad\u0131 ve bu istila, k\u0131sa s\u00fcrede krall\u0131\u011f\u0131n\u0131 iflasa s\u00fcr\u00fckledi. \u00dcstelik, \u00fclkeyi korkun\u00e7 bir kurakl\u0131k ve ard\u0131ndan k\u0131tl\u0131k vurdu. \u00c7aresiz kalan Kral Agadja bir \u00e7\u00f6z\u00fcm aray\u0131\u015f\u0131na girdi ve kaderini Yoruba k\u00f6kenli bir Fa rahibine emanet etti. Kahin ona, ba\u015f\u0131na gelen k\u00f6t\u00fc kaderi ortadan kald\u0131rmak i\u00e7in \u00f6nce k\u0131rg\u0131n bir han\u0131mefendiden \u00f6z\u00fcr dilemesi gerekti\u011fini s\u00f6yledi; kral bu han\u0131mefendinin k\u0131z karde\u015fi Hangb\u00e9 oldu\u011funu hemen anlad\u0131. Kral talimat\u0131 yerine getirdi. Fa rahibi gerekli rit\u00fcelleri ba\u015flatt\u0131 ve rit\u00fcellerin sonunda ya\u011fmur ya\u011fd\u0131. G\u00f6revini tamamlad\u0131ktan sonra evine d\u00f6nd\u00fc, ancak Agadja, ya\u011fmur ya\u011fmaya devam etmesini umarak onu iki kez geri \u00e7a\u011f\u0131rd\u0131 (bu nedenle "ya\u011fmur sat\u0131c\u0131s\u0131" "Djissa" ad\u0131n\u0131n Danhom\u00e8'deki ilk Fa rahibine verilmesinin nedeni budur). Ard\u0131ndan kral, bu kehanet tekni\u011fine inisiye olmalar\u0131 i\u00e7in rahibe iki g\u00fcvenilir adam\u0131n\u0131 emanet etti.<\/p>

Fa kehanetine ba\u015fvurma ancak zamanla yayg\u0131nla\u015ft\u0131 ve her ne kadar pop\u00fcler hale gelse de, Abomey\u2019de h\u00e2l\u00e2 kral\u0131n denetimi alt\u0131nda kalmaktad\u0131r.<\/p>

G\u00fcn\u00fcm\u00fcz Benin'inde, h\u00e2l\u00e2 olduk\u00e7a dinamik olan Fa'n\u0131n yan\u0131 s\u0131ra, vudunun sadece varl\u0131\u011f\u0131n\u0131 s\u00fcrd\u00fcrd\u00fc\u011f\u00fcn\u00fc de\u011fil, ayn\u0131 zamanda yeniden kazan\u0131lm\u0131\u015f bir canl\u0131l\u0131k ve zindeli\u011fi de g\u00f6rebiliriz; bu durum, baz\u0131 vakalarda \u00e7e\u015fitli tanr\u0131 manast\u0131rlar\u0131nda inisiyasyonlar\u0131n artmas\u0131yla kendini g\u00f6stermektedir.<\/p>


Giderek daha h\u0131zl\u0131 de\u011fi\u015fen zorlu bir d\u00fcnyayla kar\u015f\u0131 kar\u015f\u0131ya kal\u0131rken, vudu h\u00e2l\u00e2 \u00e7\u00f6z\u00fcmler sunmaya devam ediyor gibi g\u00f6r\u00fcn\u00fcyor. Burada mesele, medyada abart\u0131l\u0131 bir \u015fekilde yans\u0131t\u0131lan ok\u00fclt y\u00f6n\u00fcnden \u00e7ok, buzda\u011f\u0131n\u0131n su alt\u0131nda kalan k\u0131sm\u0131, yani bireylerin zaman zaman kar\u015f\u0131la\u015fabilece\u011fi zorluklara verdi\u011fi yan\u0131t. Vodoun rahipleri genellikle bir k\u00f6y\u00fcn tek sosyal dayana\u011f\u0131d\u0131r; k\u00f6yl\u00fcler onlara s\u0131rlar\u0131n\u0131 a\u00e7ar ve kar\u015f\u0131l\u0131\u011f\u0131nda rahipler de onlara sembolik koruma sa\u011flar. Bundan bir t\u00fcr ba\u011f\u0131ml\u0131l\u0131k ve k\u0131r\u0131lganl\u0131k do\u011far ve bunu, ibadetleri k\u00e2r ama\u00e7l\u0131 f\u0131rsatlara d\u00f6n\u00fc\u015ft\u00fcrerek m\u00fc\u015fterilerine her t\u00fcrl\u00fc mucizeyi vaat edenler suistimal eder.<\/p>


Bununla birlikte, teknolojinin maskelerinin ard\u0131nda maneviyata duyulan ihtiya\u00e7 hi\u00e7 azalmad\u0131\u011f\u0131 i\u00e7in, vudu'nun modernli\u011fin g\u00fcr\u00fclt\u00fcs\u00fc i\u00e7inde h\u00e2l\u00e2 yank\u0131 buldu\u011fu a\u00e7\u0131k\u00e7a g\u00f6r\u00fcl\u00fcyor. Bununla birlikte, bu inanc\u0131n s\u00f6zde modern ya\u015fam ko\u015fullar\u0131na uyum sa\u011flamas\u0131na olanak tan\u0131yan yap\u0131sal d\u00f6n\u00fc\u015f\u00fcmler de g\u00f6zlemleniyor.<\/p>

Rahip veya kahin gibi stat\u00fc ve g\u00f6revler burada farkl\u0131 bir \u015fekilde da\u011f\u0131t\u0131lm\u0131\u015ft\u0131r; b\u00f6ylece eskisinden \u00e7ok daha fazla insan, ba\u011f\u0131ms\u0131z kalarak dini protokol konusunda belirli bir ustal\u0131k kazanmaktad\u0131r, yani, eskiden kontrol ve tutarl\u0131l\u0131\u011f\u0131 sa\u011flayan eski Danxom\u00e8'deki ibadet yap\u0131s\u0131ndan ba\u011f\u0131ms\u0131z kalmaktad\u0131r.<\/p>

Bu durum, geleneksel kraliyet yap\u0131lar\u0131n\u0131n zay\u0131flad\u0131\u011f\u0131 s\u00f6m\u00fcrgecili\u011fin ba\u015flang\u0131c\u0131ndan bu yana, insanlar\u0131n sat\u0131n al\u0131p bak\u0131m\u0131n\u0131 \u00fcstlenebilecekleri ki\u015fisel tanr\u0131lar\u0131n yayg\u0131nla\u015fmas\u0131n\u0131 a\u00e7\u0131kl\u0131yor; t\u0131pk\u0131 tanr\u0131lar pazar\u0131na sonradan kat\u0131lan Tron, Koku, Djagli veya MamiWata gibi.<\/p>


Vodoun\u2019un \u00f6z\u00fcnde yeni tanr\u0131lar\u0131n ortaya \u00e7\u0131kmas\u0131 yatsa da, baz\u0131 uygulamalar bu sistemin olu\u015fturdu\u011fu, b\u00fct\u00fcnle\u015ftirdi\u011fi ve yayg\u0131nla\u015ft\u0131rd\u0131\u011f\u0131 \u00e7er\u00e7evenin d\u0131\u015f\u0131na \u00e7\u0131kmaktad\u0131r. Bu uygulamalar, baz\u0131 ki\u015filerin daha az k\u0131s\u0131tlay\u0131c\u0131 ibadet bi\u00e7imleri olu\u015fturmas\u0131na imk\u00e2n vermektedir; zira vodoun uygulamalar\u0131ndaki kat\u0131l\u0131k, pek \u00e7ok ki\u015fiyi bu inan\u00e7tan uzakla\u015ft\u0131rmaktad\u0131r. Bununla birlikte, eski ve yeni, k\u0131rsal ve kentsel bu k\u00fcltlerin temeli ayn\u0131d\u0131r: zorluklar ger\u00e7ek \u00e7\u00f6z\u00fcmler gerektirdi\u011finde, H\u00e9bioso'nun takip\u00e7ileri, H\u0131ristiyanlar veya evanjelistler, hepsi sonunda vudu manast\u0131rlar\u0131nda yan yana gelerek atalar\u0131n g\u00fc\u00e7lerinden yard\u0131m dilerler.<\/p>

Vodoun'un g\u00fcc\u00fc, bu nedenle, son derece k\u00f6kl\u00fc bir inan\u00e7ta ve g\u00fc\u00e7l\u00fc bir \u015fekilde yap\u0131land\u0131r\u0131lm\u0131\u015f bir d\u00fc\u015f\u00fcnce sisteminde yatmaktad\u0131r. Vodoun'un etkinli\u011fini s\u00fcrd\u00fcrmesinin nedeni, insan\u0131 en derinlerinde etkilemek \u00fczere kurgulanm\u0131\u015f olmas\u0131d\u0131r. Vodoun, insan do\u011fas\u0131n\u0131 kucaklar.<\/p>

\u00a0<\/p>

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Voodoo: Geni\u015f bir tanr\u0131lar toplulu\u011fu<\/h2>\t\t\t\t<\/div>\n\t\t\t\t
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Voodoo inanc\u0131nda \u00e7ok say\u0131da tanr\u0131 bir arada bulunur ve bunlar\u0131n say\u0131s\u0131n\u0131 kesin olarak belirlemek imkans\u0131zd\u0131r\u2026 Ancak baz\u0131 ara\u015ft\u0131rmac\u0131lar 400'den fazla farkl\u0131 varl\u0131ktan s\u00f6z etmektedir.\u00a0<\/p>

M\u00fczenin koleksiyonunda bu tanr\u0131lardan baz\u0131lar\u0131n\u0131 ve \u00e7e\u015fitli maske t\u00fcrlerini g\u00f6rebilirsiniz:\u00a0<\/p>

\u00a0<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t

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Daha fazla bilgi edinmek i\u00e7in m\u00fczeye gelin...<\/h2>\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t
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<\/div>\n\t\t<\/div>\n\t\t\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t<\/div>","protected":false},"excerpt":{"rendered":"

Vous souhaitez en savoir plus ? D\u00e9couvrez le vodou, son origine, son histoire, ses pratiques… Qu’est ce que le vodou Le Vodou est une religion […]<\/p>\n","protected":false},"author":2,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"site-sidebar-layout":"default","site-content-layout":"default","ast-site-content-layout":"default","site-content-style":"default","site-sidebar-style":"default","ast-global-header-display":"","ast-banner-title-visibility":"","ast-main-header-display":"","ast-hfb-above-header-display":"","ast-hfb-below-header-display":"","ast-hfb-mobile-header-display":"","site-post-title":"disabled","ast-breadcrumbs-content":"disabled","ast-featured-img":"","footer-sml-layout":"","ast-disable-related-posts":"","theme-transparent-header-meta":"default","adv-header-id-meta":"","stick-header-meta":"default","header-above-stick-meta":"","header-main-stick-meta":"","header-below-stick-meta":"","astra-migrate-meta-layouts":"default","ast-page-background-enabled":"default","ast-page-background-meta":{"desktop":{"background-color":"","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"tablet":{"background-color":"","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"mobile":{"background-color":"","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""}},"ast-content-background-meta":{"desktop":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"tablet":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"mobile":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""}},"footnotes":""},"class_list":["post-56","page","type-page","status-publish","hentry"],"yoast_head":"\nLe Vodou - Mus\u00e9e Vodou vodou, son histoire, ses rites et pratiques<\/title>\n<meta name=\"description\" content=\"Le vodou est une religion, une philosophie de vie encore tr\u00e8s m\u00e9connue, elle encadre tous les moments importants de la vie; 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